Zwischen Bild und Wirklichkeit
Dog Chairs
Atelier Bow-Wow
Jonathan Chaclan, ETH Zürich, Zürich, 2013
Split Machiya
Atelier Bow-Wow, Shinjuku, Tokyo, 2010
Lorenz Adriaens, AA – Architectural Association, 2013
Güterbahnhof vor Stadt
Robert Patz, 2008
NYC residence at Beekman Place
Paul Rudolph, New York City, 1977
Diamond House
John Hejduk, 1963–67
(Un)City
Cedric Libert, 2012
Carlo Pelliccia, Piero Sartogo, 1968
Lorenz Adriaens, AA – Architectural Association, 2013
Hans Hollein, 1971
Louis Kahn und Jonas Salk mit einem Modell des City Towers
1958
I prefer drawing to talking. Drawing is faster and leaves less room for lies.
Le Corbusier
George Nelson
Modelle von Nelsons Raumtragwerk Jungle Gym, Moskau, 1959
Citizens. Proposal for an urban park in the town
Pier Vittorio Aureli, Puurs, Belgium, 2012
Raglan Squire, 1958
Fault Line Vernacular (Diploma)
Tomas Pohnetal, AA – Architectural Association, 2011
Piazza San Marco in Venice
San Rocco, 2010
Lina Bo Bardi
Drawing for Milan Triennale
Gino Pollini and Luigi Figini, 1933
Sauerbruch Hutton, 1996
Gio Ponti and Emilio Lancia, 1930
It’s a misconception that something which is complex should also look complicated.
Joost Grootens
Small Images
Junya Ishigami, 2008
Small Images
Junya Ishigami, 2008
Oswald Mathias Ungers, 1991
Villa in Hakuba
Naka-Studio, Nagano, Japan, 2012
Villa in Hakuba
Naka-Studio, Nagano, Japan, 2012
Villa in Hakuba
Naka-Studio, Nagano, Japan, 2012
Villa in Hakuba
Naka-Studio, Nagano, Japan, 2012
Hauswand am Fluss
Egon Schiele, 1915
New Country House
DRDH Architects, Middlesex, UK, 2009
New Country House
DRDH Architects, Middlesex, UK, 2009
New Country House
DRDH Architects, Middlesex, UK, 2009
New Country House
DRDH Architects, Middlesex, UK, 2009
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Alessandro Mendini, 1979