Zwischen Bild und Wirklichkeit
Franco Purini, 1985
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Salk Institute for Biological Studies
Louis Kahn, San Diego
Swiss Pavilion for the 2000 Expo in Hanover, Structural Model by Garrett Knoll
Peter Zumthor, Hannover, 2000
The leading edge in evidence presentation is in science; the leading edge in beauty is in high art.
Edward Tufte
Diploma
Nadine Schütz, ETH Zürich, 2013
Section through the market
Natasha Rieffel, AA – Architectural Association, 2013
Moriyama House Model
Ruye Nishizawa, Kamata, Tokio, 2005, Foto: Walter Niedermayr
La Padula
Ernesto Bruno, 1936-1942
Pianta Finale Carlottai
Carlotta Conte, AA – Architectural Association, 2013
Copper House II (ground floor)
Studio Mumbai, Chondi, Maharashtra, India, 2012
Peter Zumthor’s Home and Studio
Peter Zumthor, Graubünden, Schweiz, 2005
Small Greenhouse
Junya Ishigami
Kenneth Browne, 1957
Vielleicht muss Architektur das Mehrdeutige und Widersprüchliche nicht abschließend ordnen. Vielleicht entsteht aus den offen gelassenen Fragen eine viel höhere Qualität.
OFFICE Kersten Geers David Van Severen
Angelo Mangiarotti, 1968
Diplom
Moritz Weber, ETH Zürich, Zürich, 2012
Museum for a Small City Project, Interior perspective
Mies van der Rohe, 1941-1943
Diplom
Ahmed Belkhodja, ETH Zürich, 2013
Greenhouses for the Biennale di Venezia 2008
Junya Ishigami
Yoshitaka Fujimaki, AA – Architectural Association, 2013
Residential Development
Marvin Hatami, 1960s
OFFICE Kersten Geers David Van Severen
Drawing is the simplest way of establishing a (…) vocabulary because it is an instant personal declaration of what is important.
Betty Goodwin
L'ombra della sera (ground-level elevation at the access to the São Paulo Museum of Art)
Lina Bo Bardi, Sao Paulo, 1965
Miller House, Alexander Girard's textile design plans for the interior
Eero Saarinen, Columbus, Indiana, 1957
Parc de la Villette
Rem Koolhaas (drawing Alex Wall), Paris, 1982
Alexandra Shatalova, AA – School of Architecture, 2013
Céline Bessire, Lea Glanzmann, Isabel Ramseier, ETH Zürich, 2013