900 km Nile City
Baukuh, New El Monshah, 2012
Alison and Peter Smithson, 1968
NCCA Museum
51N4E, Moscow, Russia, Foto: 2013
NCCA Museum
51N4E, Moscow, Russia, Foto: 2013
Operaplein
51N4E, Antwerp, BE, 2004
Xinyue Zhang - AA Architectureal Association, 2013
Architecture is not about form, it is about many other things (…) The light and the use, and the structure, and the shadow, the smell and so on. I think form is the easiest to control, it can be done at the end.
Peter Zumthor
Central Park Turnhout
OFFICE Kersten Geers David Van Severen
Central Park Turnhout
OFFICE Kersten Geers David Van Severen
Live Forever, The Return of the Factory. Proposal for a living and working unité d’habitation for 1600 inhabitants at the Balti Station area
Pier Vittorio Aureli, Tallinn, 2013
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Rooms are frames of mind and apartment ads become today's poetry, which is my favourite reading.
Yoko Ono, in: The Other Room
Katsuhiro Kobayash, 1992
Japanischer Pavillon auf der Biennale
Junya Ishigami, Venedig, 2008
Diplom
Fabio Tammaro, Zürich, 2012
Diplom
Fabio Tammaro, Zürich, 2012
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
We do not create the work. I believe we, in fact, are discoverers.
Glenn Murcutt
Ray Eames
1950
Ray Eames
Museo Soulages
RCR Arquitectes, Rodés
Part of the MOMA Extension Concept
OMA, Rem Koolhaas, 2008
Mauer, Overpainted Photographs
Gerhard Richter, 1998
Intuition is a very powerful thing — more powerful than intellect, in my opinion.
Steve Jobs
Max Bill, 1959
Tati Ville
Jacques Tati
Eames Office
1961
Aber alle diese Feinheiten, bestimmt, die Dauer des Bauwerks zu sichern, waren eine Kleinigkeit im Verhältnis zu denen, die er gebrauchte, wenn es sich darum handelte, die Erregungen und Schwingungen vorzubereiten, die in der Seele des künftigen Betrachters seines Werkes entstehen sollten.
Paul Valéry
Gone out
Silke Schöner, 2009
Urban Study for the Immerzeeldreef Area
Frames, Aalst, Belgium, 2011
New Country House
DRDH Architects, Middlesex, UK, 2009
New Country House
DRDH Architects, Middlesex, UK, 2009
New Country House
DRDH Architects, Middlesex, UK, 2009
New Country House
DRDH Architects, Middlesex, UK, 2009
Carlo Scarpa, 1958
Big roof
Junya Ishigami
Elisia Brask, AA – Architectural Association, 2013