Güterbahnhof vor Stadt
Robert Patz, 2008
La Maison Liberee
Jean Philippe, 1957
Philip Johnson, 1962
Unterhaus II
Denis Andernach
Drinnen (YMCA-Gebäude Warschau)
Aneta Grzeszykowska & Jan Smaga, 2006
Lorenz Adriaens, AA – Architectural Association, 2013
LACMA – Los Angeles County Museum of Art
Peter Zumthor, Los Angeles, 2013
LACMA – Los Angeles County Museum of Art
Peter Zumthor, Los Angeles, 2013
LACMA – Los Angeles County Museum of Art
Peter Zumthor, Los Angeles, 2013
Komura Settai (1887–1940)
Room in Brooklyn
Edward Hopper, 1932
C-Mine
51N4E, Genk, BE, 2010
Palm House
Joshua Harskamp, AA – Architectural Association, 2013
Diploma
Charikleia Karamali, AA – Architectural Association, 2013
Diploma
Charikleia Karamali, AA – Architectural Association, 2013
Diploma
Charikleia Karamali, AA – Architectural Association, 2013
Diploma
Charikleia Karamali, AA – Architectural Association, 2013
U-Haus
Denis Andernach
Aus der Bibel des König Wenzel IV
Teil II
Brandon Whitwell-Mak, AA – Architecutral Association, 2013
Alexandra Shatalova, AA – School of Architecture, 2013
André Kertész Calder et son Cirque
1929
Benetton Building
Sou Fujimoto, Teheran, 2009 (nicht realisiert)
Villa 69, Ordos 100, Ordos
DRDH Architects, Inner Mongolia, China, 2009
Tsukishima Masam
Diplom
Roman Birrer, Alessandro Bossard, ETH Zürich, 2011
Alison and Peter Smithson, 1976
BRT Terminal
Rhizomegroup, Moskau, 2013
Richard Leung – AA Architectural Association, 2013
Parthenon, Cross Chapel (Diploma)
Dorotte Panagiotopoulou, AA – Architectural Association, 2013
Plumb Board
Jong Won Na, AA – Architectural Association, 2013
Another Scale of Architecture – rain
Junya Ishigami
NCCA Museum
51N4E, Moscow, Russia, Foto: 2013
NCCA Museum
51N4E, Moscow, Russia, Foto: 2013
Part of the MOMA Extension Concept
OMA, Rem Koolhaas, 2008
And what tremendous possibilities for the variation of meaning are offered by the combination of colors…. What variations from the smallest shading to the glowing symphony of color. What perspectives in the dimension of meaning!
Paul Klee, in: On Modern Art