Zwischen Bild und Wirklichkeit
Music hall in a field
Junya Ishigami
Residential Parking Lot
Archizoom, 1971
Kitamoto KAO
Atelier Bow-Wow
Kitamoto KAO
Atelier Bow-Wow
Kitamoto KAO
Atelier Bow-Wow
Kitamoto KAO
Atelier Bow-Wow
Piazza del Popolo in Rome
San Rocco, 2010
Project for a metropolitan cathedral, perspective
Étienne-Louis Boullée, 1782
Wohnhaus für Betagte
Peter Zumthor, Chur, Schweiz, 1993
Pano drawing
Diller and Scofidio
Pano drawing
Diller and Scofidio
Residential Development
Marvin Hatami, 1960s
Atelier Bow Wow, 1995
Records and Paradise
Andrea Branzi, 1980
School in Crissier
TEd'A-arquitectes, Crissier, Switzerland, 2012
School in Crissier
TEd'A-arquitectes, Crissier, Switzerland, 2012
Untitled
Georges Malkine, 1927
Alfred Neumann, Zvi Heker, Eldar Sharon, 1965
Alessandro Mendini, 1979
Dan Cooper, 1940
Collage on paper
Gertrude Green, 1939
Island gaden
Junya Ishigami
Housing Block
Peter Eisenman, 1980
House in a basket
Junya Ishigami
Miguel Pereira and J. C. Paiva da Silva, 1962
Highrise of Homes, Theoretical proposal for USA Cities
James Wines & SITE, 1981
Highrise of Homes, Theoretical proposal for USA Cities
James Wines & SITE, 1981
Sketch of a geodesic dome
Richard Buckminster Fuller, 1972
Lighthouse Hotel
Geoffrey Bawa, Galle, Sri Lanka, 1997
Sauerbruch Hutton, 1996
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Emilio Ambasz, 1986
Eero Saarinen, 1960
Masterplan, Hafencity University
DRDH Architects, Hamburg, 2006
Slow House Project
Diller + Scofidio, 1989
New-Floor-Plan
Oliver Pershav - AA Architectural Association, 2013