Zwischen Bild und Wirklichkeit
To see is to forget the name of the thing one sees.
Paul Valéry
Eugen City Hall
WFSmith Architecture, Eugen
Eugen City Hall
WFSmith Architecture, Eugen
Lob der Zweideutigkeit
Dieter Kienast, 1994
Plumb Board
Jong Won Na, AA – Architectural Association, 2013
Vicenc and Malen home
TEd'A-arquitectes, Palma de Mallorca, Mallorca, 2011
Salk Institute
Louis Kahn, La Jolla, 1963
Zaha Hadid, 1989
Las torres de cotillas, Gras auditorio
Sou Fujimoto, 2011
Lawrence Residence
Thom Mayne, 1980
Lina Bo Bardi
Intuition is a very powerful thing — more powerful than intellect, in my opinion.
Steve Jobs
Drawing for Milan Triennale
Gino Pollini and Luigi Figini, 1933
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
Split-Level Landscapes
Jeremy Miranda, 2013
Drawing is the simplest way of establishing a (…) vocabulary because it is an instant personal declaration of what is important.
Betty Goodwin
Project for a metropolitan cathedral, perspective
Étienne-Louis Boullée, 1782
Negatives models, Architecture Biennale
Aires Mateus, 2010
Visitors Centre, Newlands Common
DRDH Architects, Hampshire, United Kingdom, 2010
Hoge Woerd
51N4E, Utrecht, Neatherlands, 2010
Savings and Loan Building
David Hockney, 1976
Dan Cooper, 1940
Drawing from the Architecture-Sculpture-Painting Series
Lebbeus Woods, 1979
Mauer, Overpainted Photographs
Gerhard Richter, 1998
Moriyama House Model
Sanaa, Ohta-ku, Tokio, Japan, 2002
Page Tsou
De Lork
51N4E, Brussels, BE, 2005
Diploma
Tijn Van De Wijdeven, AA – Architectural Association, 2011
Die Pantoffel
Samuel van Hoogstraten, 1658
Baths of Caracalla, design for a proposed reconstruction of the Tepidarium
Drawing Artist George Aitchison, 1889
Aus der Bibel des König Wenzel IV
Teil II
Brick Country House (showing the influence of Mondrian and De Stijl)
Ludwig Mies van der Rohe, 1923