Milstein Hall
OMA, New York, 2012, Foto: Brett Beyer
Edificio Multipropósito Hammerhavn
Cubo Arkitekter, Dänemark, 2014
Edificio Multipropósito Hammerhavn
Cubo Arkitekter, Dänemark, 2014
Edificio Multipropósito Hammerhavn
Cubo Arkitekter, Dänemark, 2014
Diplom
Palle Petersen, ETH Zürich, Zürich, 2012
Lorenz Adriaens, AA – Architectural Association, 2013
George Nelson
Modelle von Nelsons Raumtragwerk Jungle Gym, Moskau, 1959
Der Kleinste
Dieter Kienast, 1982
Zaha Hadid, 1989
Diploma
Tji Young Lee, AA – Architectural Association, 2011
Diploma
Tji Young Lee, AA – Architectural Association, 2011
Diploma
Tji Young Lee, AA – Architectural Association, 2011
Diploma
Tji Young Lee, AA – Architectural Association, 2011
Section through the market
Natasha Rieffel, AA – Architectural Association, 2013
Japanischer Pavillon auf der Biennale
Junya Ishigami, Venedig, 2008
Highway to ESTEE
Studio Joost Grootens
BRT Terminal
Rhizomegroup, Moskau, 2013
Constellations and Ambiguity – Institute of Technology
Junya Ishigami, 2009
Constellations and Ambiguity – Institute of Technology
Junya Ishigami, 2009
Terrasse
Thomas Demand, 1998
Sabrina Morreale, AA – Architectural Association, 2013
Endless House
Friedrich Kiesler, 1950
Axonometrie des Schlosses Uranienbaum auf der Insel Hveen, Joan Blaeu
1663
Bridge
OFFICE Kersten Geers David Van Severen
Sergio Nicola and Aldo Rizzotti, 1960
Factory
Aleksandrina Rizova, Kingston University RIBA
Yoshitaka Fujimaki, AA – Architectural Association, 2013
Drying Hall Location
OFFICE Kersten Geers David Van Severen, Herselt, BE, 2011
Glauco Gresleri, Giorgio Trebbi, 1963
Diploma
Hissah Al Bader, AA – Architectural Association, 2013
Diploma
Hissah Al Bader, AA – Architectural Association, 2013
Diploma
Hissah Al Bader, AA – Architectural Association, 2013
First Church of Boston - Proposed Building Section
Paul Rudolph, Boston, Massachusetts, 1968–72
Tati Ville
Jacques Tati
Central Library
Aires Mateus und Alberto Souza Oliveira, Lissabon, 1999
I prefer drawing to talking. Drawing is faster and leaves less room for lies.
Le Corbusier
Powers of Ten (Filmstill 43)
Charles & Ray Eames, 1977
And what tremendous possibilities for the variation of meaning are offered by the combination of colors…. What variations from the smallest shading to the glowing symphony of color. What perspectives in the dimension of meaning!
Paul Klee, in: On Modern Art