Zwischen Bild und Wirklichkeit

Arne Jacobson, 1965
Bernard Tschumi, 1994
Le Corbusier, 1962
Ludwig Museum
Ludwig Museum Oswald Mathias Ungers, Cologne, 1975
Toyo Ito, 1993
Nach einer Fotografie von Thomas Struth, Shinju-ku, Tokio, 1986
Nach einer Fotografie von Thomas Struth, Shinju-ku, Tokio, 1986 Robert Patz, 2008
Another Scale of Architecture – Forest Studies
Another Scale of Architecture – Forest Studies Junya Ishigami
Another Scale of Architecture – Forest Studies
Another Scale of Architecture – Forest Studies Junya Ishigami
Another Scale of Architecture – Forest Studies
Another Scale of Architecture – Forest Studies Junya Ishigami
Diploma
Diploma Barbara Thüler, ETH Zürich, 2013
Toter Raum
Toter Raum Gregor Schneider, 1989
Mediterranean Villas
Mediterranean Villas Giò Ponti (1891–1979)
Angelo Mangiarotti, 1968
Tables for a restaurant
Tables for a restaurant Junya Ishigami
Maurizio Sacripanti, 1962
Diagram of the Field of Vision
Diagram of the Field of Vision Herbert Bayer, 1930
Kolumba Museum
Kolumba Museum Peter Zumthor, Köln, 2003
Boissevain and Osmond, 1961
Sequence Series
Sequence Series Jong Won Na, AA – Architectural Association, 2013
Copper House II (ground floor)
Copper House II (ground floor) Studio Mumbai, Chondi, Maharashtra, India, 2012
Diplom
Diplom Simone Blum, ETH Zürich, Zürich, 2012
Diplom
Diplom Simone Blum, ETH Zürich, Zürich, 2012
BRT Terminal
BRT Terminal Rhizomegroup, Moskau, 2013
Big roof
Big roof Junya Ishigami
Diploma
Diploma Nicole Schwabe, ETH Zürich, 2013
House A
House A Sanaa, Tokio, Japan, 2006
Project for Academia Bridge for Venice Biennial
Project for Academia Bridge for Venice Biennial Alessandro Mendini, Venice, 1985
OMA, 1976
David Reddick, 1978
Louis Kahn und Jonas Salk mit einem Modell des City Towers
Louis Kahn und Jonas Salk mit einem Modell des City Towers 1958
Jardines Yu-Xi
Jardines Yu-Xi Sanaa, Taipei, Taiwan, 2008
What you see depends on where you stand.
C.S. Lewis
Architecture is not about form, it is about many other things (…) The light and the use, and the structure, and the shadow, the smell and so on. I think form is the easiest to control, it can be done at the end.
Peter Zumthor