Drawings for Modena Cemetery
Aldo Rossi
Urban Design for the Boompjes
Caruso St John Architects, Rotterdam, 2001
Slow House Project
Diller + Scofidio, 1989
Drawing for Milan Triennale
Gino Pollini and Luigi Figini, 1933
Ekaterinburg Fernsehturm
Rhizome group, St. Dekabristen, 2013
U-Haus
Denis Andernach
House in Kita-Kamakura
Sanaa, Kanagawa, Japan, 2009 (nicht realisiert)
City Villa, House extension and renovation
Villa, OFFICE Kersten Geers David Van Severen
Diploma
Lea Prati, ETH Zürich, 2013
Weekend House, extension and renovation
OFFICE Kersten Geers David Van Severen, Merchtem, BE, 2012
Weekend House, extension and renovation
OFFICE Kersten Geers David Van Severen, Merchtem, BE, 2012
Palazzo del Cinema (Model)
Steven Holl, Venice, 1990
Aber alle diese Feinheiten, bestimmt, die Dauer des Bauwerks zu sichern, waren eine Kleinigkeit im Verhältnis zu denen, die er gebrauchte, wenn es sich darum handelte, die Erregungen und Schwingungen vorzubereiten, die in der Seele des künftigen Betrachters seines Werkes entstehen sollten.
Paul Valéry
Portrait of Space
Lee Miller, near Siwa, Egypt, 1937
Kingscrossarchaeology
Adrian Ma – AA School of Architecture, 2013
Sanaa
Rolex Learning Center, Lausanne, 2010
Jyväskylä Music and Arts Centre
Caruso St John Architects, Jyväskylä, 1997
General view of Endless House model
Frederick Kiesler, 1959
Las torres de cotillas, Gras auditorio
Sou Fujimoto, 2011
Helene Solvay, AA – Architectural Association, 2013
Pano drawing
Diller and Scofidio
Pano drawing
Diller and Scofidio
Alison and Peter Smithson, 1976
Glauco Gresleri, Giorgio Trebbi, 1963
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
House Before House
Sou Fujimoto, Tochigi, Japan, 2008
Xinyue Zhang - AA Architectureal Association, 2013
Hanging Gardens, 1a. Seven Series
Miles Gertler, 2013
Sheffield Festival Centre
DRDH Architects, Sheffield, United Kingdom
Jong Won Na, AA – Architectural Association, 2013
Kate Nicklin
Arata Isozaki, 1976
Rooms are frames of mind and apartment ads become today's poetry, which is my favourite reading.
Yoko Ono, in: The Other Room