The release of esthetic emotion is a special function of space.
Le Corbusier
Drawing from the Architecture-Sculpture-Painting Series
Lebbeus Woods, 1979
Community housing
Schützen
Compton Verney
Stirling Wilford
Sketch of a geodesic dome
Richard Buckminster Fuller, 1972
Peter Eisenman, 1990
Cambridge Seven, 1975
Eugen City Hall
WFSmith Architecture, Eugen
Eugen City Hall
WFSmith Architecture, Eugen
Diet Sayler
1969
Diet Sayler
1969
Diet Sayler
1969
C-Mine
51N4E, Genk, BE, 2010
Yunya Ishigami
Casa de Vidro
Lina Bo Bardi, Morumbi, Sao Paulo, 1951
Casa de Vidro
Lina Bo Bardi, Morumbi, Sao Paulo, 1951
Gianugo Polesello, Aldo Rossi, Luca Meda, 1963
The leading edge in evidence presentation is in science; the leading edge in beauty is in high art.
Edward Tufte
Guild hall with theatre with dome
Time Kitilimtrakul, AA – Architectural Association, 2013
Mauer, Overpainted Photographs
Gerhard Richter, 1998
Shallow House
Atelier Bow-Wow, Shinjuku-ku, Tokyo, 2002
LIVE
Hausrucker-Co, 1979
Paintings of Sacral Contemplation
Ian Davis
Nodal Points of a City
Hans Hollein, 1962-1963
La Maison Liberee
Jean Philippe, 1957
Nigel Peake
Operaplein
51N4E, Antwerp, BE, 2004
Records and Paradise
Andrea Branzi, 1980
Milstein Hall
OMA, New York, 2012, Foto: Brett Beyer
Wir wissen noch nicht, warum wir das hier machen, aber in Zukunft werden wir das verstehen.
Joseph Beuys
Topography of Terror Museum (Model)
Peter Zumthor, Berlin, 1993
Topography of Terror Museum (Model)
Peter Zumthor, Berlin, 1993
Topography of Terror Museum (Model)
Peter Zumthor, Berlin, 1993
Topography of Terror Museum (Model)
Peter Zumthor, Berlin, 1993
Portrait of Nick Wilder
David Hockney, 1966
Benetton Building
Sou Fujimoto, Teheran, 2009 (nicht realisiert)
Live Forever, The Return of the Factory. Proposal for a living and working unité d’habitation for 1600 inhabitants at the Balti Station area
Pier Vittorio Aureli, Tallinn, 2013