Diploma
Micha Weber, ETH Zürich, 2013
Scetch fot the Exhibition for Modern Living
Ray Eames, 1949
The Enigma of Desire
Salvador Dalí, 1929
Nigel Peake
Entry Hall for Nursery School
Josef Frank, Austria, 1921
Aussichten und Einsichten
Dieter Kienast, 1991
Design for interior flooring based on a scheme used at Carpenders Park School
Oliver Cox, Hertfordshire, 1950
Another scale of architecture – forest
Junya Ishigami, 2010
Another scale of architecture – forest
Junya Ishigami, 2010
Another scale of architecture – forest
Junya Ishigami, 2010
Nigel Peake
Chapel for the Good Sheperd Convent
Geoffrey Bawa, Drawing from Edwards Reid & Begg, Bandarwala, 1962
Skizze Kunsthaus Bregenz
Peter Zumthor, Bregenz, 1997
Lighthouse Hotel
Geoffrey Bawa, Galle, Sri Lanka, 1997
Portrait of Space
Lee Miller, near Siwa, Egypt, 1937
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Lob der Zweideutigkeit
Dieter Kienast, 1994
Records and Paradise
Andrea Branzi, 1980
Sauerbruch Hutton, 1996
De Kunstlinie, Theatre and Cultural Centre
Sanaa, Almere, Holland
De Kunstlinie, Theatre and Cultural Centre
Sanaa, Almere, Holland
De Kunstlinie, Theatre and Cultural Centre
Sanaa, Almere, Holland
De Kunstlinie, Theatre and Cultural Centre
Sanaa, Almere, Holland
De Kunstlinie, Theatre and Cultural Centre
Sanaa, Almere, Holland
The City of the Captive Globe Project
Rem Koolhaas, Madelon Vriesendorp, New York, 1972
Wenn es aber Wirklichkeitssinn gibt, und niemand wird bezweifeln, dass er seine Daseinsberechtigung hat, dann muss es auch etwas geben, das man Möglichkeitssinn nennen kann. Wer ihn besitzt, sagt beispielsweise nicht: hier ist dies oder das geschehen, wird geschehen, muss geschehen; sondern er erfindet: hier könnte, sollte, müsste geschehen. Und wenn man ihm von irgendetwas erklärt, dass es so sei, wie es sei, so denkt er: nun, es könnte wahrscheinlich auch anders sein.
Robert Musil, in: Der Mann ohne Eigenschaften
Enrico Tedeschi, 1963
Pano drawing
Diller and Scofidio
Pano drawing
Diller and Scofidio
NCCA Museum
51N4E, Moscow, Russia, Foto: 2013
NCCA Museum
51N4E, Moscow, Russia, Foto: 2013
To Clarify, add detail. Clutter and overload are not attributes of information, they are failures of design. If the information is in chaos, don't start throwing out information, instead fix the design.
Edward Tufte
Piazza San Marco in Venice
San Rocco, 2010
House & Garden
Ryue Nishizawa, Tokyo, Japan, 2011
House & Garden
Ryue Nishizawa, Tokyo, Japan, 2011
House & Garden
Ryue Nishizawa, Tokyo, Japan, 2011
Watersilo
OFFICE Kersten Geers David Van Severen
Die ungelösten Antagonismen der Realität kehren wieder in den Kunstwerken als die immanenten Probleme ihrer Form.
Theodor W. Adorno, in: Ästhetische Theorien
Tati Ville
Jacques Tati
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012
The Big Kitchen, Final Thesis
Diana Hdez, Madrid, 2012