Zwischen Bild und Wirklichkeit
Anders Johnsson
Nodal Points of a City
Hans Hollein, 1962-1963
First Church of Boston - Proposed Building Section
Paul Rudolph, Boston, Massachusetts, 1968–72
Portrait of Space
Lee Miller, near Siwa, Egypt, 1937
Kenneth Browne, 1957
Lists have a poetry on their own. I don’t have to add anything.
Joost Grootens
Big roof
Junya Ishigami
Live Forever, The Return of the Factory. Proposal for a living and working unité d’habitation for 1600 inhabitants at the Balti Station area
Pier Vittorio Aureli, Tallinn, 2013
Pianta Della Basilica di San Marco
Venezia
SITE, 1984
Peter Zumthor’s Home and Studio
Peter Zumthor, Graubünden, Schweiz, 2005
Invasion on the street
Natasha Rieffel, AA – Architectural Association, 2013
Luis Barragán im Innenhof der Acequia in der Alhambra
Granada, Spanien, 1924
Villa Planchart
Gio Ponti, Caracas, 1955
Edward Ruscha
San Fernando Valley, Los Angeles, 1965
Site Plan
Oliver Pershav, AA – Architectural Association, 2013
Museo Soulages
RCR Arquitectes, Rodés
Katy Long, AA – Architectural Association, 2013
Museum of Rimbaud
dgt architects, Charleville-Mézières
Museum of Rimbaud
dgt architects, Charleville-Mézières
Museum of Rimbaud
dgt architects, Charleville-Mézières
What you see depends on where you stand.
C.S. Lewis
Juha Leiviska, 1991
Bernard Tschumi, 1994
For, with such a medium expression, we lack the means of discussing in its constituent parts, an image which possesses simultaneously a number of dimensions.
Paul Klee, in: On Modern Art
Klaudia Kepinska, AA – Architectural Association, 2013
House for Bourne and Company
Paul Rudolph, Florida, 1965
Helene Solvay, AA – Architectural Association, 2013
Alison and Peter Smithson, 1976
Diploma
Fung Tsui, AA – Architectural Association, 2013
Diploma
Fung Tsui, AA – Architectural Association, 2013
Animal set out in the market
Natasha Rieffel, AA – Architectural Association, 2013
Powers of Ten (Filmstill 43)
Charles & Ray Eames, 1977