Zwischen Bild und Wirklichkeit

Villa Stein
Villa Stein Le Corbusier, Garches, France, 1927
Border Garden
Border Garden OFFICE Kersten Geers David Van Severen, between Mexico and the United States, 2009
Border Garden
Border Garden OFFICE Kersten Geers David Van Severen, between Mexico and the United States, 2009
Border Garden
Border Garden OFFICE Kersten Geers David Van Severen, between Mexico and the United States, 2009
LACMA – Los Angeles County Museum of Art
LACMA – Los Angeles County Museum of Art Peter Zumthor, Los Angeles, 2013
LACMA – Los Angeles County Museum of Art
LACMA – Los Angeles County Museum of Art Peter Zumthor, Los Angeles, 2013
LACMA – Los Angeles County Museum of Art
LACMA – Los Angeles County Museum of Art Peter Zumthor, Los Angeles, 2013
BRT Terminal
BRT Terminal Rhizomegroup, Moskau, 2013
Alexandra Shatalova, AA – School of Architecture, 2013
(Un)City
(Un)City Cedric Libert, 2012
Alvar Aalto, 1960
General view of Endless House model
General view of Endless House model Frederick Kiesler, 1959
Diploma
Diploma Umberto Bellardi, AA – School of Architecture, 2011
Diploma
Diploma Umberto Bellardi, AA – School of Architecture, 2011
Diploma
Diploma Umberto Bellardi, AA – School of Architecture, 2011
Diploma
Diploma Umberto Bellardi, AA – School of Architecture, 2011
Diploma
Diploma Umberto Bellardi, AA – School of Architecture, 2011
Gio Ponti and Emilio Lancia, 1930
Thibaud Herem
Where simplicity cannot work, simpleness results. Blatant simplification means bland architecture. Less is a bore.
Robert Venturi, in: Complexity and Contradiction in architecture
Hotel
Hotel GRAU – Groupe romain architectes urbanistes, Chiatante, Genovese, 1969
Edward Ruscha
Edward Ruscha San Fernando Valley, Los Angeles, 1965
Plan eines Gartens am Nil
Plan eines Gartens am Nil Zeichnung von Ippolito Rosellini, 1832
Mary Jewett Arts Center - Lobby Rendering
Mary Jewett Arts Center - Lobby Rendering Paul Rudolph, Wellesley, MA, 1958
Proposal for Taichung Gateway Park
Proposal for Taichung Gateway Park Ramones, Taichung, Taiwan, 2011
André Kertész Calder et son Cirque
André Kertész Calder et son Cirque 1929
The leading edge in evidence presentation is in science; the leading edge in beauty is in high art.
Edward Tufte
Drawings for Modena Cemetery
Drawings for Modena Cemetery Aldo Rossi
A Secular Retreat
A Secular Retreat Peter Zumthor, Chivelstone, Devon, 2011
A Secular Retreat
A Secular Retreat Peter Zumthor, Chivelstone, Devon, 2011
A Secular Retreat
A Secular Retreat Peter Zumthor, Chivelstone, Devon, 2011
I prefer drawing to talking. Drawing is faster and leaves less room for lies.
Le Corbusier
Towards Edufactory (Diploma)
Towards Edufactory (Diploma) Costantino Sambuy, AA – Architecutural Association, 2012
Towards Edufactory (Diploma)
Towards Edufactory (Diploma) Costantino Sambuy, AA – Architecutural Association, 2012
Unterhaus II
Unterhaus II Denis Andernach
Wallfahrtskirche Maria Königin des Friedens
Wallfahrtskirche Maria Königin des Friedens Gottfried Boehm, Velbert-Neviges, 1963
Museo de Escultura de Leganés
Museo de Escultura de Leganés Ted'a Arquitectes, Leganés, Madrid, 2011
Anders Johnsson
The Enigma of Desire
The Enigma of Desire Salvador Dalí, 1929
Alvar Aalto, 1965
Kurz Areal
Kurz Areal Maxwan, Schwäbisch Hall, 2012