Zwischen Bild und Wirklichkeit
All Combined Section
Alyssa Ueno – AA School of Architecture, 2013
Analytical Drawing for Case Study 12
Diller and Scofidio
Ziggurat, Cittá Lineare
Giuliano Fiorenzoli, near Santa Croce, 1970
Casa Marinez
Le Corbusier, Buenos Aires, 1930
Shelter for Roman Ruins
Peter Zumthor, Chur, Schweiz, 1986
Shelter for Roman Ruins
Peter Zumthor, Chur, Schweiz, 1986
Shelter for Roman Ruins
Peter Zumthor, Chur, Schweiz, 1986
The Enigma of Desire
Salvador Dalí, 1929
Plan von Charlottenhof oder Siam
Peter Josef Lenné, 1839
Mediterranean Villas
Giò Ponti (1891–1979)
Rory Sherlock, AA – School of Architectue, 2013
The New Domestic Landscape
Superstudio, Italy, 1972
Glauco Gresleri, Giorgio Trebbi, 1963
Project for the ideal city of Chaux, House of supervisors of the source of the Loue
Claude-Nicolas Ledoux, 1804
Greenhouses for the Biennale di Venezia 2008
Junya Ishigami
House and Atelier Bow-Wow
Bow-Wow, Shinjuku-ku, Tokyo, Japan, 2005
Garden House
Sou Fujimoto, Tochigi, Japan, 2011
Garden House
Sou Fujimoto, Tochigi, Japan, 2011
Cloister of Mont-Saint-Michel
Basse, Normandie, 13th century
Pano drawing
Diller and Scofidio
Pano drawing
Diller and Scofidio
Toter Raum
Gregor Schneider, 1989
Tsukishima Masam
Sanaa
Rolex Learning Center, Lausanne, 2010
Deer Grotto
Visiondivision, Sweden, 2010
Central Beheer Office Complex
Herman Hertzberger, Apeldoorn Holland, 1972
Drawing is the simplest way of establishing a (…) vocabulary because it is an instant personal declaration of what is important.
Betty Goodwin
Terrasse
Thomas Demand, 1998
The leading edge in evidence presentation is in science; the leading edge in beauty is in high art.
Edward Tufte
Istanbul Disaster Prevention and Education Center
Group8, Istanbul, 2011
Istanbul Disaster Prevention and Education Center
Group8, Istanbul, 2011
Atelier Bow Wow
Chamber of Commerce, Office building for VOKA
OFFICE Kersten Geers David Van Severen, West-Flanders
Jersey Corridor Project
Peter Eisenman and Michael Graves, 1965
Alison and Peter Smithson, 1955