Patricia Roig, AA – Architectural Association, 2013
Hauswand am Fluss
Egon Schiele, 1915
U-Haus
Denis Andernach
Mies van der Rohe, 1947
Intuition is a very powerful thing — more powerful than intellect, in my opinion.
Steve Jobs
Wir wissen noch nicht, warum wir das hier machen, aber in Zukunft werden wir das verstehen.
Joseph Beuys
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Office Building
Venturi, Rauch, and Scott Brown, California City, 1971
Lighthouse Hotel
Geoffrey Bawa, Galle, Sri Lanka, 1997
Nigel Peake
Jonathan Chaclan, ETH Zürich, Zürich, 2013
Live Forever, The Return of the Factory. Proposal for a living and working unité d’habitation for 1600 inhabitants at the Balti Station area
Pier Vittorio Aureli, Tallinn, 2013
Residential Development
Marvin Hatami, 1960s
Oswald Mathias Ungers, 1991
Serpentine Gallery Pavillon
Peter Zumthor, London
Serpentine Gallery Pavillon
Peter Zumthor, London
Details matter, it’s worth waiting to get it right.
Steve Jobs
Serpentine Gallery Pavilion
Peter Zumthor, London, 2011
Rooms in the Forest, Jan Szpakowicz’s House
Jan Szpakowicz, Poland, 1971
Palazzo del Cinema (Model)
Steven Holl, Venice, 1990
George Nelson
Modelle von Nelsons Raumtragwerk Jungle Gym, Moskau, 1959
Town for 2000 Families
Josef Frank, 1950
To Clarify, add detail. Clutter and overload are not attributes of information, they are failures of design. If the information is in chaos, don't start throwing out information, instead fix the design.
Edward Tufte
Elevation drawing, St Mark’s Church
Sigurd Lewerentz, Bjorkhagen, 1960
Giuseppe Nicolosi, 1958
Xinyue Zhang - AA Architectureal Association, 2013
Project for the ideal city of Chaux, House of supervisors of the source of the Loue
Claude-Nicolas Ledoux, 1804
Entry for Berlin, Architectural Competition
Rem Koolhaas and Madelon Vriesendorp, 1980
Casa de Vidro
Lina Bo Bardi, Morumbi, Sao Paulo, 1951
Casa de Vidro
Lina Bo Bardi, Morumbi, Sao Paulo, 1951
La Padula
Ernesto Bruno, 1936-1942
The leading edge in evidence presentation is in science; the leading edge in beauty is in high art.
Edward Tufte