Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Frankfurt Galleria
O. M. Ungers, 1979-1982
Seijo Apartments, model in section
Kazuyo Sejima & Associates, Tokyo, 2008
Seijo Apartments, model in section
Kazuyo Sejima & Associates, Tokyo, 2008
Parthenon, Cross Chapel (Diploma)
Dorotte Panagiotopoulou, AA – Architectural Association, 2013
Lighthouse Hotel
Geoffrey Bawa, Galle, Sri Lanka, 1997
Benetton Building
Sou Fujimoto, Teheran, 2009 (nicht realisiert)
Minimum Dynaxion Home
Buckminster Fuller, 1920s
Peter Zumthor’s Home and Studio
Peter Zumthor, Graubünden, Schweiz, 2005
Impossible Theater
Archizoom, 1968
900 km Nile City
Baukuh, New El Monshah, 2012
Sauerbruch Hutton, 1990-1996
Lob der Zweideutigkeit
Dieter Kienast, 1994
Jonathan Law, AA – Architectural Association, 2013
Section through the market
Natasha Rieffel, AA – Architectural Association, 2013
Andrew Batey, 1974
Figure XVI
Hans Aeschbacher, 1959
Rendering for RAI Pavillion
Archizoom, 1969
Footballproposal
Adrian Ma – AA School of Architecture, 2013
Diplom
Nadine Schütz, ETH Zürich, Zürich, 2013
Diplom
Nadine Schütz, ETH Zürich, Zürich, 2013
Diplom
Nadine Schütz, ETH Zürich, Zürich, 2013
Yunya Ishigami
Savings and Loan Building
David Hockney, 1976
Kunsthalle Berlin
OFFICE Kersten Geers David Van Severen, 2011
Kunsthalle Berlin
OFFICE Kersten Geers David Van Severen, 2011
Eero Saarinen, 1960
Ziggurat, Cittá Lineare
Giuliano Fiorenzoli, near Santa Croce, 1970
Cité de Refuge
OFFICE Kersten Geers David Van Severen, 2007
Cité de Refuge
OFFICE Kersten Geers David Van Severen, 2007
Cité de Refuge
OFFICE Kersten Geers David Van Severen, 2007
Project for the ideal city of Chaux, House of supervisors of the source of the Loue
Claude-Nicolas Ledoux, 1804
Bernard Tschumi, 1994
Er sah zum Fenster hinaus: (…) aber die Lichter, die aus den Häusern an der Straße schimmerten, wurden immer zahlreicher, warfen einen stetigen gelben Schein auf die Fenster (...). Gerade in diesem Augenblick sah er das Schild mit den Worten Stadtgrenze und Willkommen aufleuchten. Und schon war es vorbei.
Norman Mailer
I prefer drawing to talking. Drawing is faster and leaves less room for lies.
Le Corbusier
Jayawardena House
Geoffrey Bawa, Colombo, Sri Lanka, 1960