Zwischen Bild und Wirklichkeit

Piazza
Piazza 51N4E, Tirana, AL, 2010
Piazza
Piazza 51N4E, Tirana, AL, 2010
Tourist Resort in Herrera del Duque
Tourist Resort in Herrera del Duque TEd'A arquitectes, 2010
Carlo Scarpa, 1958
Helene Solvay, AA – Architectural Association, 2013
Raglan Squire, 1958
Christian Kerez
Castiglione, Rendering for Versaille
Castiglione, Rendering for Versaille 1783-1786
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
House Before House
House Before House Sou Fujimoto, Tochigi, Japan, 2008
Row house – small environments around
Row house – small environments around Junya Ishigami
Analytical Drawing for Case Study 12
Analytical Drawing for Case Study 12 Diller and Scofidio
Diploma
Diploma Katrina Anne Muur, AA – Architectural Association, 2010
Diploma
Diploma Katrina Anne Muur, AA – Architectural Association, 2010
Lycée Hotelier de Lille
Lycée Hotelier de Lille Caruso St John Architects, Lille, 2016
Lycée Hotelier de Lille
Lycée Hotelier de Lille Caruso St John Architects, Lille, 2016
Lycée Hotelier de Lille
Lycée Hotelier de Lille Caruso St John Architects, Lille, 2016
Another Scale of Architecture – rain
Another Scale of Architecture – rain Junya Ishigami
Residence that resembles a very small forest
Residence that resembles a very small forest Junya Ishigami
Wenn es aber Wirklichkeitssinn gibt, und niemand wird bezweifeln, dass er seine Daseinsberechtigung hat, dann muss es auch etwas geben, das man Möglichkeitssinn nennen kann. Wer ihn besitzt, sagt beispielsweise nicht: hier ist dies oder das geschehen, wird geschehen, muss geschehen; sondern er erfindet: hier könnte, sollte, müsste geschehen. Und wenn man ihm von irgendetwas erklärt, dass es so sei, wie es sei, so denkt er: nun, es könnte wahrscheinlich auch anders sein.
Robert Musil, in: Der Mann ohne Eigenschaften
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Gymnasium bridge project
Gymnasium bridge project Steven Holl
Kawanishi Camping Cottage
Kawanishi Camping Cottage Atelier Bow-Wow, Kawanishi, Nakauonuma-gun, 1999
105 housing units in Madrid
105 housing units in Madrid TEd'A-arquitectes, Nuestra Señora de los Ángeles 12, Vallecas, Madrid, 2011
105 housing units in Madrid
105 housing units in Madrid TEd'A-arquitectes, Nuestra Señora de los Ángeles 12, Vallecas, Madrid, 2011
Der Wäscheschrank
Der Wäscheschrank Pieter de Hooch, 1663
Raymond Lopez and Marcel Reby, 1955
Drying Hall Location
Drying Hall Location OFFICE Kersten Geers David Van Severen, Herselt, BE, 2011
Split Machiya
Split Machiya Atelier Bow-Wow, Shinjuku, Tokyo, 2010
Good Design is a lot like clear thinking made visual.
Edward Tufte
Ena de Silva House
Ena de Silva House Geoffrey Bawa, drawing by Vernon Nonis, 1985, Colombo, Sri Lanka, 1962
Sequence Series
Sequence Series Jong Won Na, AA – Architectural Association, 2013
Ian Davis
Radu Macovei, AA – Architectural Association, 2012
Fault Line Vernacular (Diploma)
Fault Line Vernacular (Diploma) Tomas Pohnetal, AA – Architectural Association, 2011
Lawrence Residence
Lawrence Residence Thom Mayne, 1980