Nam Quang Temple
WFSmith Architecture, Portland
Nam Quang Temple
WFSmith Architecture, Portland
Nam Quang Temple
WFSmith Architecture, Portland
Elevation drawing, St Mark’s Church
Sigurd Lewerentz, Bjorkhagen, 1960
Jyväskylä Music and Arts Centre
Caruso St John Architects, Jyväskylä, 1997
Western Motel
Edward Hopper, 1957
Alison and Peter Smithson, 1968
Chamber of Commerce, Office building for VOKA
OFFICE Kersten Geers David Van Severen, West-Flanders
Tsukishima Masam
Brandon Whitwell-Mak, AA – Architecutral Association, 2013
Slow House Project
Diller + Scofidio, 1989
David Hockney, 1967
Diplom
Nadine Schütz, ETH Zürich, Zürich, 2013
Diplom
Nadine Schütz, ETH Zürich, Zürich, 2013
Diplom
Nadine Schütz, ETH Zürich, Zürich, 2013
Scetch fot the Exhibition for Modern Living
Ray Eames, 1949
Denys Lasdun’s National Theatre (built 1976)
Owen D Pomery, 2013
Elisia Brask, AA – Architectural Association, 2013
Zebra and Parachute
Christopher Wood, 1930
Sequence Series
Jong Won Na, AA – Architectural Association, 2013
25 Rooms, Villa
OFFICE Kersten Geers David Van Severen, Ordos, 2008
25 Rooms, Villa
OFFICE Kersten Geers David Van Severen, Ordos, 2008
25 Rooms, Villa
OFFICE Kersten Geers David Van Severen, Ordos, 2008
Elevation Rendering of the Ricola Storage (drawing Mona El Amin)
Herzog & de Meuron, Laufen, Switzerland, 1987
Villa in Hakuba
Naka-Studio, Nagano, Japan, 2012
Villa in Hakuba
Naka-Studio, Nagano, Japan, 2012
Villa in Hakuba
Naka-Studio, Nagano, Japan, 2012
Villa in Hakuba
Naka-Studio, Nagano, Japan, 2012
Residential Development
Marvin Hatami, 1960s
Intuition is a very powerful thing — more powerful than intellect, in my opinion.
Steve Jobs
Crafted Narratives
Jyri Eskola, AA – Architectural Association, 2012
Die Welt ist meine Einbildung.
Arthur Schopenhauer
Diploma
Calvin Chua, AA – Architectural Association, 2010
Aber alle diese Feinheiten, bestimmt, die Dauer des Bauwerks zu sichern, waren eine Kleinigkeit im Verhältnis zu denen, die er gebrauchte, wenn es sich darum handelte, die Erregungen und Schwingungen vorzubereiten, die in der Seele des künftigen Betrachters seines Werkes entstehen sollten.
Paul Valéry
For, with such a medium expression, we lack the means of discussing in its constituent parts, an image which possesses simultaneously a number of dimensions.
Paul Klee, in: On Modern Art
Zink-Mine Museum Almannajuvet
Peter Zumthor, Sauda, Norway, 2003
Zink-Mine Museum Almannajuvet
Peter Zumthor, Sauda, Norway, 2003
Zink-Mine Museum Almannajuvet
Peter Zumthor, Sauda, Norway, 2003
Parthenon, Cross Chapel (Diploma)
Dorotte Panagiotopoulou, AA – Architectural Association, 2013
Ray and Charles Working on a Conceptual Model for the Exhibition Mathematica
Los Angeles, 1960
Atelier Bow Wow