Greenhouses for the Biennale di Venezia 2008
Junya Ishigami
Supervisions - Works
Andreas Gefeller
25 Rooms, Villa
OFFICE Kersten Geers David Van Severen, Ordos, 2008
25 Rooms, Villa
OFFICE Kersten Geers David Van Severen, Ordos, 2008
25 Rooms, Villa
OFFICE Kersten Geers David Van Severen, Ordos, 2008
Diplom
Ahmed Belkhodja, ETH Zürich, 2013
Wall, Scenography for a theater play
OFFICE Kersten Geers David Van Severen
Project for a metropolitan cathedral, perspective
Étienne-Louis Boullée, 1782
Residential Parking Lot
Archizoom, 1971
Atelier Bisque Doll
UID Architects, Osaka, Japan, Foto: 2010
Pano drawing
Diller and Scofidio
Pano drawing
Diller and Scofidio
David Hockney, 1967
Brick Country House (showing the influence of Mondrian and De Stijl)
Ludwig Mies van der Rohe, 1923
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Dionysios Tzakis, AA – Architectural Association, 2013
Estonian National Museum
dgt architects, Tartu, Estonia, 2016
Estonian National Museum
dgt architects, Tartu, Estonia, 2016
Estonian National Museum
dgt architects, Tartu, Estonia, 2016
Estonian National Museum
dgt architects, Tartu, Estonia, 2016
Emilio Ambasz, 1986
Plans for Mountain Hotel
Peter Zumthor
Design students in Buckminster Fuller's class design a geodesic cotton mill
North Carolina State University, 1949, Foto: Ralph MIlls
23 Parks
maxwan, Kiev, Ukraine, 2011
23 Parks
maxwan, Kiev, Ukraine, 2011
23 Parks
maxwan, Kiev, Ukraine, 2011
23 Parks
maxwan, Kiev, Ukraine, 2011
23 Parks
maxwan, Kiev, Ukraine, 2011
LIVE
Hausrucker-Co, 1979
The release of esthetic emotion is a special function of space.
Le Corbusier
Buitenruimte Tour & Taxis te Brussel
Bureau Bas Smets
I paint objects as I think them, not as I see them.
Pablo Picasso
Mies van der Rohe, 1947
Good Design is a lot like clear thinking made visual.
Edward Tufte
Es ist eine Skala der Proportionen, die das Schlechte schwer und das Gute leicht macht.
Albert Einstein
Island gaden
Junya Ishigami
Page Tsou
Kings Cross Fire Floors
Oliver Pershav, AA – Architectural Association, 2013
Post-City
Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion)
Post-City
Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion)
Post-City
Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion)
Post-City
Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion)
General view of Endless House model
Frederick Kiesler, 1959