Callahan Residence
Paul Rudolph, Birmingham, Alabama, 1965
Diploma
Katrina Anne Muur, AA – Architectural Association, 2010
Diploma
Katrina Anne Muur, AA – Architectural Association, 2010
The leading edge in evidence presentation is in science; the leading edge in beauty is in high art.
Edward Tufte
Part of the MOMA Extension Concept
OMA, Rem Koolhaas, 2008
Diploma
Charikleia Karamali, AA – Architectural Association, 2013
Diploma
Charikleia Karamali, AA – Architectural Association, 2013
Diploma
Charikleia Karamali, AA – Architectural Association, 2013
Diploma
Charikleia Karamali, AA – Architectural Association, 2013
Komura Settai (1887–1940)
Ultimo Appuntamento
Gio Ponti, Milano, 1957
Swiss Pavilion for the 2000 Expo in Hanover, Structural Model by Garrett Knoll
Peter Zumthor, Hannover, 2000
House for Fernando Pessoa
Filipe Paixao, 2013
House for Fernando Pessoa
Filipe Paixao, 2013
House for Fernando Pessoa
Filipe Paixao, 2013
Céline Bessire, Lea Glanzmann, Isabel Ramseier, ETH Zürich, 2013
Milstein Hall
OMA, New York, 2012, Foto: Brett Beyer
Gone out
Silke Schöner, 2009
Carlo Pelliccia, Piero Sartogo, 1968
Cohen Residence
Paul Rudolph, Siesta Key, Sarasota, Florida,1955
I came to design through architecture, Ray came to design through painting…
Charles Eames
Wir wissen noch nicht, warum wir das hier machen, aber in Zukunft werden wir das verstehen.
Joseph Beuys
Boissevain and Osmond, 1961
Where simplicity cannot work, simpleness results. Blatant simplification means bland architecture. Less is a bore.
Robert Venturi, in: Complexity and Contradiction in architecture
Jonathan Chaclan, ETH Zürich, Zürich, 2013
Terrasse
Thomas Demand, 1998
Jardines Yu-Xi
Sanaa, Taipei, Taiwan, 2008
Diploma
Nicole Schwabe, ETH Zürich, 2013
Lorenz Adriaens, AA – Architectural Association, 2013
Brandon Whitwell-Mak, AA – Architecutral Association, 2013
The City of the Captive Globe Project
Rem Koolhaas, Madelon Vriesendorp, New York, 1972
Julio Lafuente, 1968
Architecture is not about form, it is about many other things (…) The light and the use, and the structure, and the shadow, the smell and so on. I think form is the easiest to control, it can be done at the end.
Peter Zumthor
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Pôle Muséal Lausanne
E1N4E, Lausanne, CH, 2010
Renewal of the town square in Kalmar
Caruso St John + Eva Löfdahl, Sweden, 1999–2003
Arata Isozaki, 1976