Tyler Bollier, AA – Architectural Association, 2012
Rendering for RAI Pavillion
Archizoom, 1969
Reflected Architecture
Superstudio, 1969
It’s a misconception that something which is complex should also look complicated.
Joost Grootens
Glauco Gresleri, Giorgio Trebbi, 1963
Ivor de Wolfe and Kenneth Browne, Civilia, 1971
Housing Development
Caruso St John Architects, Bordeaux, 2005
What you see depends on where you stand.
C.S. Lewis
Diamond House B, Projection
John Hejduk, 1963-1967
Model of Memorial in Memory of the Victims of the Witchcraft Trials in Steilneset
Peter Zumthor, Norway, 2010
A Secular Retreat
Peter Zumthor, Chivelstone, Devon, 2011
A Secular Retreat
Peter Zumthor, Chivelstone, Devon, 2011
A Secular Retreat
Peter Zumthor, Chivelstone, Devon, 2011
Residential Development
Marvin Hatami, 1960s
Zaha Hadid, 1989
Solo, Summer house, as part of the solo houses building estate
OFFICE Kersten Geers David Van Severen, Spain
Eugen City Hall
WFSmith Architecture, Eugen
Eugen City Hall
WFSmith Architecture, Eugen
OMA, 1976
Planung Organisation Minipolis
Rhizome group, Moskau, 2013
Planung Organisation Minipolis
Rhizome group, Moskau, 2013
Discarded Art Floors
Oliver Pershav, AA – Architectural Association, 2013
Piazza
51N4E, Tirana, AL, 2010
Piazza
51N4E, Tirana, AL, 2010
Pano drawing
Diller and Scofidio
Pano drawing
Diller and Scofidio
I prefer drawing to talking. Drawing is faster and leaves less room for lies.
Le Corbusier
Calthorpe-Axo
Oliver Pershav, AA – Architectural Association, 2013
Lola Lozano, AA – Architectural Association
Azuma House
Tadao Ando, 1976
Panaretheon
Claude-Nicolas Ledoux, Chaux, 1785-89
Drawing is the simplest way of establishing a (…) vocabulary because it is an instant personal declaration of what is important.
Betty Goodwin
Jonathan Law, AA – Architectural Association, 2013
Four-level house
William Morgan, 1969s
Dan Cooper, 1940
Constellations and Ambiguity – Institute of Technology
Junya Ishigami, 2009
Constellations and Ambiguity – Institute of Technology
Junya Ishigami, 2009