Die Welt ist meine Einbildung.
Arthur Schopenhauer
Minimum Dynaxion Home
Buckminster Fuller, 1920s
Kolumba Museum
Peter Zumthor, Köln, 2003
Jyväskylä Music and Arts Centre
Caruso St John Architects, Jyväskylä, 1997
Centre for Contemporary Arts, Rome
Caruso St John Architects, Rome, 1999
Centre for Contemporary Arts, Rome
Caruso St John Architects, Rome, 1999
Modell Therme Vals
Peter Zumthor
Modell Therme Vals
Peter Zumthor
Modell Therme Vals
Peter Zumthor
Modell Therme Vals
Peter Zumthor
Modell Therme Vals
Peter Zumthor
Diplom
Daniela Sigg, ETH Zürich, Regensdorf, 2012
Diplom
Daniela Sigg, ETH Zürich, Regensdorf, 2012
Diplom
Daniela Sigg, ETH Zürich, Regensdorf, 2012
Diplom
Daniela Sigg, ETH Zürich, Regensdorf, 2012
L'ombra della sera (ground-level elevation at the access to the São Paulo Museum of Art)
Lina Bo Bardi, Sao Paulo, 1965
Garden House
Sou Fujimoto, Tochigi, Japan, 2011
Garden House
Sou Fujimoto, Tochigi, Japan, 2011
Big roof
Junya Ishigami
Mies van der Rohe, 1958
Visualisation for David Chipperfield Architects
Antonia Schlegle
Visualisation for David Chipperfield Architects
Antonia Schlegle
House for Dr Bartholomeusz
Geoffrey Bawa, Colombo, Sri Lanka, 1963
Hoge Woerd
51N4E, Utrecht, Neatherlands, 2010
Palazetto della Sport
Marcello Piacentini unPier Luigi Nervi, Rom, 1960
Diplom
Palle Petersen, ETH Zürich, Zürich, 2012
Lists have a poetry on their own. I don’t have to add anything.
Joost Grootens
The Happy Island
Superstudio, 1972
Lob der Zweideutigkeit
Dieter Kienast, 1994
Dionysios Tzakis, AA – Architectural Association, 2013
Renewal of the town square in Kalmar
Caruso St John + Eva Löfdahl, Sweden, 1999–2003
The Academy of Life
Meil Michels, 2010
The Academy of Life
Meil Michels, 2010
The Academy of Life
Meil Michels, 2010
Oscar Niemeyer, 1959
Aussichten und Einsichten
Dieter Kienast, 1991
Palace of Galerius New Museum
Alexandra Quick, Foto: 2012
Palace of Galerius New Museum
Alexandra Quick, 2012
Map of Madrid, surroundings of Plaza Mayor
1656
Moriyama House Model
Sanaa, Ohta-ku, Tokio, Japan, 2002
Kunsthalle Berlin
OFFICE Kersten Geers David Van Severen, 2011
Kunsthalle Berlin
OFFICE Kersten Geers David Van Severen, 2011
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Julio Lafuente, 1968