Mueritz
Silke Schöner, 2006
The image is the reality, therefore there is no reality.
John Lautner
For, with such a medium expression, we lack the means of discussing in its constituent parts, an image which possesses simultaneously a number of dimensions.
Paul Klee, in: On Modern Art
Sauerbruch Hutton, 1996
Kate Nicklin
Hotel Sphinx Planetarium with Swimming Pool
Rem Roolhaas and Madelon Vriesendorp, 1970s
Border Garden
OFFICE Kersten Geers David Van Severen, between Mexico and the United States, 2009
Border Garden
OFFICE Kersten Geers David Van Severen, between Mexico and the United States, 2009
Border Garden
OFFICE Kersten Geers David Van Severen, between Mexico and the United States, 2009
Jonathan Law, AA – Architectural Association, 2013
Hans Hollein, 1971
Graphic Analysis of The Barcelona Pavilion by Mies van der Rohe
drawing by Paul Rudolph
Paris Market Lab
Catarina Sinde, 2012
Plan of Jayawardena House
Geoffrey Bawa, Colombo, Sri Lanka, 1960
Another scale of architecture – horizon
Junya Ishigami, 2010
Azuma House
Tadao Ando, 1976
Céline Bessire, Lea Glanzmann, Isabel Ramseier, ETH Zürich, 2013
Lola Lozano, AA – Architectural Association
Dan Cooper, 1940
Kenneth Browne, 1957
Komura Settai (1887–1940)
Increasing in a Dining Table
Sarah Wigglesworth and Jeremy Till, 2012
Serpentine Gallery Pavilion
Peter Zumthor, London, 2011
Oberes Kandergirien
Caruso St John Architects, Spiez, CH, 2011
Oberes Kandergirien
Caruso St John Architects, Spiez, CH, 2011
Oberes Kandergirien
Caruso St John Architects, Spiez, CH, 2011
Oberes Kandergirien
Caruso St John Architects, Spiez, CH, 2011
Oberes Kandergirien
Caruso St John Architects, Spiez, CH, 2011
Oberes Kandergirien
Caruso St John Architects, Spiez, CH, 2011
Oberes Kandergirien
Caruso St John Architects, Spiez, CH, 2011
Twin Roof House
51N4E, Wemmel, BE, 2005
Community housing
Schützen
Diploma
Katrina Anne Muur, AA – Architectural Association, 2010
Diploma
Katrina Anne Muur, AA – Architectural Association, 2010
Architecture is not about form, it is about many other things (…) The light and the use, and the structure, and the shadow, the smell and so on. I think form is the easiest to control, it can be done at the end.
Peter Zumthor
Drawing
Jacques Adnet, 1930s
Portrait of Nick Wilder
David Hockney, 1966
Lumiere Park Café
Sanaa, Almere, Holland, 1999
Lumiere Park Café
Sanaa, Almere, Holland, 1999
Lumiere Park Café
Sanaa, Almere, Holland, 1999
Lumiere Park Café
Sanaa, Almere, Holland, 1999
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011
Pilotis in a Forest
Go Hasegawa, Tokyio, Japan, 2011