Zwischen Bild und Wirklichkeit
House in China
Sanaa, tianjin, China, 2003
Diploma
Micha Weber, ETH Zürich, 2013
Mies van der Rohe, 1946
Swiss Pavilion for the 2000 Expo in Hanover, Structural Model by Garrett Knoll
Peter Zumthor, Hannover, 2000
Tsukishima Masam
I paint objects as I think them, not as I see them.
Pablo Picasso
Alfred Neumann, Zvi Heker, Eldar Sharon, 1965
Plan eines Gartens am Nil
Zeichnung von Ippolito Rosellini, 1832
105 housing units in Madrid
TEd'A-arquitectes, Nuestra Señora de los Ángeles 12, Vallecas, Madrid, 2011
105 housing units in Madrid
TEd'A-arquitectes, Nuestra Señora de los Ángeles 12, Vallecas, Madrid, 2011
BRT Terminal
Rhizomegroup, Moskau, 2013
Diploma
Nicole Schwabe, ETH Zürich, 2013
Villa 69, Ordos 100, Ordos
DRDH Architects, Inner Mongolia, China, 2009
Powers of Ten (Filmstill 45)
Charles & Ray Eames, 1977
Tati Ville
Jacques Tati
Alison and Peter Smithson, 1976
Museo Soulages
RCR Arquitectes, Rodés
Residence that resembles a very small forest
Junya Ishigami
Powers of Ten (Filmstill 43)
Charles & Ray Eames, 1977
BMW Guggenheim Lab
Atelier Bow-Wow, New York, 2011
BMW Guggenheim Lab
Atelier Bow-Wow, New York, 2011
Carlo Pelliccia, Piero Sartogo, 1968
Antomy of Plants
Stephen Hales, 1882
Antomy of Plants
Stephen Hales, 1882
Antomy of Plants
Stephen Hales, 1882
Serpentine Gallery Pavilion
Peter Zumthor, London, 2011
Salk Institute for Biological Studies
Louis Kahn, San Diego
Skidmore Owings Merrill, 1946
Tables for a restaurant
Junya Ishigami
Xinyue Zhang - AA Architectureal Association, 2013
Nigel Peake
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Eero Saarinen, 1960
Tadao Ando