Kanagawa Institute of Technology Workshop
Junya Ishigami, 2009
Drawing
Jacques Adnet, 1930s
Callahan Residence
Paul Rudolph, Birmingham, Alabama, 1965
Centro e Archivio della Comunicazione
Tobia Scarpa, Parma, 1969
Les Larves d’image d’Henri Robert Marcel Duchamp
Frederik Kiesler, 1945
Eames Office
1961
Piazza San Marco in Venice
San Rocco, 2010
Piet & Wim Eckert
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Generic and the Common
Lola Lozano, Diploma, AA School of Architecture, 2011
Palm House
Joshua Harskamp, AA – Architectural Association, 2013
Daegu Library (with École), North Facade
AAKAA, France
Drawings for Modena Cemetery
Aldo Rossi
Lorenz Adriaens, AA – Architectural Association, 2013
Skidmore Owings Merrill, 1946
Katy Long, AA – Architectural Association, 2013
Frankfurt Galleria
O. M. Ungers, 1979-1982
Céline Bessire, Lea Glanzmann, Isabel Ramseier, ETH Zürich, 2013
House and Atelier Bow-Wow
Bow-Wow, Shinjuku-ku, Tokyo, Japan, 2005
Humphrey Spender, 1955
BMW Guggenheim Lab
Atelier Bow-Wow, New York, 2011
BMW Guggenheim Lab
Atelier Bow-Wow, New York, 2011
Footballproposal
Adrian Ma – AA School of Architecture, 2013
BRT Terminal
Rhizomegroup, Moskau, 2013
Aussichten und Einsichten
Dieter Kienast, 1991
Project for Academia Bridge for Venice Biennial
Alessandro Mendini, Venice, 1985
Zink-Mine Museum Almannajuvet
Peter Zumthor, Sauda, Norway, 2003
Zink-Mine Museum Almannajuvet
Peter Zumthor, Sauda, Norway, 2003
Zink-Mine Museum Almannajuvet
Peter Zumthor, Sauda, Norway, 2003
Jong Won Na, AA – Architectural Association, 2013
OFFICE Kersten Geers David Van Severen
Christian Kerez
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Descending To Poplar Recreation Park
Mahsa Ramezanpoor, AA – Architectural Association, 2013