Aussichten und Einsichten
Dieter Kienast, 1991
Andrew Batey, 1974
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Peter Zumthor’s Home and Studio
Peter Zumthor, Graubünden, Schweiz, 2005
Max Bill, 1959
Aber alle diese Feinheiten, bestimmt, die Dauer des Bauwerks zu sichern, waren eine Kleinigkeit im Verhältnis zu denen, die er gebrauchte, wenn es sich darum handelte, die Erregungen und Schwingungen vorzubereiten, die in der Seele des künftigen Betrachters seines Werkes entstehen sollten.
Paul Valéry
The leading edge in evidence presentation is in science; the leading edge in beauty is in high art.
Edward Tufte
Kopenhagen in Architecture d'aujourd hui
1955
Hans Hollein, 1971
The Ambition of the Territory, Flanders
Studio Joost Grootens, Biennale Venice, Belgian Pavillion, 2012
The Ambition of the Territory, Flanders
Studio Joost Grootens, Biennale Venice, Belgian Pavillion, 2012
The Ambition of the Territory, Flanders
Studio Joost Grootens, Biennale Venice, Belgian Pavillion, 2012
Post-City
Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion)
Post-City
Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion)
Post-City
Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion)
Post-City
Andrea Branzi and Eva Le Roi (part of Venice Biennale’s Luxembourg Pavilion)
Okurayama Apartments
Sanaa, Yokohama, Japan, 2008
Dan Cooper, 1940
Four-level house
William Morgan, 1969s
Sanaa
Rolex Learning Center, Lausanne, 2010
Slow House Project
Diller + Scofidio, 1989
Ezra Orion, 1970
Songdo Landmark City Block A4
REX, Incheon, Korea
Songdo Landmark City Block A4
REX, Incheon, Korea
Highway to ESTEE
Studio Joost Grootens
Adamsbrunnen im Schlosspark von Peterhof bei St. Petersburg
Aquarell von Wassili Iwanowitsch Bajenow, 1796
Dionysios Tzakis, AA – Architectural Association, 2013
Walter F. Bogner, 1942
Plan of Jayawardena House
Geoffrey Bawa, Colombo, Sri Lanka, 1960
Ultimo Appuntamento
Gio Ponti, Milano, 1957
Eero Saarinen, 1957
Welfare Palace Hotel
OMA, drawing Madelon Vriesendorp, 1975
For, with such a medium expression, we lack the means of discussing in its constituent parts, an image which possesses simultaneously a number of dimensions.
Paul Klee, in: On Modern Art
Pano drawing
Diller and Scofidio
Pano drawing
Diller and Scofidio
Design for interior flooring based on a scheme used at Carpenders Park School
Oliver Cox, Hertfordshire, 1950
The Happy Island
Superstudio, 1972