Diploma
Jing Qiao, AA – Architectural Association, 2013
Diploma
Jing Qiao, AA – Architectural Association, 2013
Azuma House
Tadao Ando, 1976
Brandon Whitwell-Mak, AA – Architecutral Association, 2013
House in Kita-Kamakura
Sanaa, Kanagawa, Japan, 2009 (nicht realisiert)
Figure XVI
Hans Aeschbacher, 1959
Ultimo Appuntamento
Gio Ponti, Milano, 1957
Denys Lasdun’s National Theatre (built 1976)
Owen D Pomery, 2013
Maria Elisa Costa and Elias Kaufmam, 1960
This fine texture of exquisite detail leads to personal micro-readings, individual stories about data.
Italo Calvino, in: Invisible Cities
Kitamoto KAO
Atelier Bow-Wow
Kitamoto KAO
Atelier Bow-Wow
Kitamoto KAO
Atelier Bow-Wow
Kitamoto KAO
Atelier Bow-Wow
Diplom
Michaela Pfister, ETH Zürich, Regensdorf, 2012
Loveld, Offices and industrial buildings
OFFICE Kersten Geers David Van Severen
Kaunas Masterplan
maxwan, Kaunas, Lithuania, 2009
Diamond House B, Projection
John Hejduk, 1963-1967
Vicenc and Malen home
TEd'A-arquitectes, Palma de Mallorca, Mallorca, 2011
Student accomodation complex
51N4E and Bourbouze & Graindorge Architects, Paris-Saclay, 2014
Live Forever, The Return of the Factory. Proposal for a living and working unité d’habitation for 1600 inhabitants at the Balti Station area
Pier Vittorio Aureli, Tallinn, 2013
Nigel Peake
Atlas of the Conflict
Design book and maps Studio Joost Grootens, 2010
National History Museum
Monadnock, Rotterdam, 2011
Rolex Learning Center
Sanaa, Lausanne, Schweiz, 2009
Thibaud Herem
Hirsch Residence
Paul Rudolph, New York, 1966
Plans for Mountain Hotel
Peter Zumthor
Discarded Art Floors
Oliver Pershav, AA – Architectural Association, 2013
Last Orders
Caitriona Mcghee, 2010
Last Orders
Caitriona Mcghee, 2010
Gio Ponti and Emilio Lancia, 1930
Ekaterinburg Fernsehturm
Rhizome group, St. Dekabristen, 2013
23 Parks
maxwan, Kiev, Ukraine, 2011
23 Parks
maxwan, Kiev, Ukraine, 2011
23 Parks
maxwan, Kiev, Ukraine, 2011
23 Parks
maxwan, Kiev, Ukraine, 2011
23 Parks
maxwan, Kiev, Ukraine, 2011
General view of Endless House model
Frederick Kiesler, 1959