Foster Associates, 1973
Edward Ruscha
Thayer Avenue, Los Angeles, 1965
Vielleicht muss Architektur das Mehrdeutige und Widersprüchliche nicht abschließend ordnen. Vielleicht entsteht aus den offen gelassenen Fragen eine viel höhere Qualität.
OFFICE Kersten Geers David Van Severen
Plan of the Palace of Tlaminmilolpa
Teotihuacan, Mexico
Constellations and Ambiguity – Institute of Technology
Junya Ishigami, 2009
Constellations and Ambiguity – Institute of Technology
Junya Ishigami, 2009
Carlo Scarpa, 1958
House for Bourne and Company
Paul Rudolph, Florida, 1965
Pere and Aurora's home
TEd'A arquitectes, Begues, Barcelona, 2006-2010
Pere and Aurora's home
TEd'A arquitectes, Begues, Barcelona, 2006-2010
Suffolk County Office Park, Building Elevation
Paul Rudolph, New York, 1970
Another scale of architecture – horizon
Junya Ishigami, 2010
Alvar Aalto, 1965
OFFICE Kersten Geers David Van Severen
This fine texture of exquisite detail leads to personal micro-readings, individual stories about data.
Italo Calvino, in: Invisible Cities
Paris Market Lab
Catarina Sinde, 2012
Towards Edufactory (Diploma)
Costantino Sambuy, AA – Architecutural Association, 2012
Towards Edufactory (Diploma)
Costantino Sambuy, AA – Architecutural Association, 2012
Model of Memorial in Memory of the Victims of the Witchcraft Trials in Steilneset
Peter Zumthor, Norway, 2010
Print
Adrian Ma – AA School of Architecture, 2013
Island gaden
Junya Ishigami
Yunya Ishigami
David Reddick, 1978
Ezra Orion, 1970
BMW Museum
Karl Schwanzer, München, 1975
Scetch fot the Exhibition for Modern Living
Ray Eames, 1949
Cambridge Seven, 1975
Patio Houses
Mies van der Rohe, 1931-38
Patio Houses
Mies van der Rohe, 1931-38
Patio Houses
Mies van der Rohe, 1931-38
Catalog of Country Houses
Superstudio, 1968-1970
Diplom
Roman Birrer, ETH Zürich, Zürich, 2013
Diplom
Roman Birrer, ETH Zürich, Zürich, 2013
Diplom
Roman Birrer, ETH Zürich, Zürich, 2013
Housing Development
Caruso St John Architects, Bordeaux, 2005
Le Corbusier, 1962
Kolumba Museum
Peter Zumthor (drawing Kendezi), Köln, 2003