Urban Passage Project
Massimo Scolari, 1974
Townhouses, Islington
DRDH Architects, London, United Kingdom, 2007
Ivor de Wolfe and Kenneth Browne, Civilia, 1971
Discarded Art Floors
Oliver Pershav, AA – Architectural Association, 2013
Güterbahnhof vor Stadt
Robert Patz, 2008
David Hockney, 1967
Es ist eine Skala der Proportionen, die das Schlechte schwer und das Gute leicht macht.
Albert Einstein
Luis Barragán im Innenhof der Acequia in der Alhambra
Granada, Spanien, 1924
Angelo Mangiarotti, 1968
Daegu Library (with École), Reading Room
AAKAA, France
Residence that resembles a very small forest
Junya Ishigami
Entry Gate for Isny
Peter Zumthor
Louis Kahn und Jonas Salk mit einem Modell des City Towers
1958
Cornell University New School of Architecture, Competition
Studio Peter Zumthor, Pavlina Andrea Lucas, 2001
Cornell University New School of Architecture, Competition
Studio Peter Zumthor, Pavlina Andrea Lucas, 2001
Cornell University New School of Architecture, Competition
Studio Peter Zumthor, Pavlina Andrea Lucas, 2001
Cornell University New School of Architecture, Competition
Studio Peter Zumthor, Pavlina Andrea Lucas, 2001
Cornell University New School of Architecture, Competition
Studio Peter Zumthor, Pavlina Andrea Lucas, 2001
Cornell University New School of Architecture, Competition
Studio Peter Zumthor, Pavlina Andrea Lucas, 2001
Cornell University New School of Architecture, Competition
Studio Peter Zumthor, Pavlina Andrea Lucas, 2001
And what tremendous possibilities for the variation of meaning are offered by the combination of colors…. What variations from the smallest shading to the glowing symphony of color. What perspectives in the dimension of meaning!
Paul Klee, in: On Modern Art
Boissevain and Osmond, 1961
Intuition is a very powerful thing — more powerful than intellect, in my opinion.
Steve Jobs
Moscow Nights
Martin Brandsdal, AA – Architectural Association, 2013
Ray has a very good sense of what gives an idea or form its character, of how its relationships are formed. She can see where there is a wrong mix of ideas or materials, when the division between two ideas isn’t clear. If this sounds like a structural or architectural idea — it is. But it has come to Ray through her painting.
Charles Eames
Jong Won Na, AA – Architectural Association, 2013
Ikushima Library
Atelier Bow-Wow, Kokubunji, Tokyo, 2008
New Starters's Center
OFFICE Kersten Geers David Van Severen, Waregem, Belgium, 2003
Ray Eames
1950
Ray Eames
Room3
Iruzun Martins, AA – Architectural Association, 2013
Room3
Iruzun Martins, AA – Architectural Association, 2013
Room3
Iruzun Martins, AA – Architectural Association, 2013
Microcities, Housing Solutions for the Immaterial Worker
Fosco Lucarelli, 2011
Another Scale of Architecture – rain
Junya Ishigami
Superexistence, Life and Death
Superstudio, 1972–73
Diploma
Ioana Iliesiu, AA – Architectural Association, 2013
Diploma
Ioana Iliesiu, AA – Architectural Association, 2013
Diploma
Ioana Iliesiu, AA – Architectural Association, 2013
National History Museum
baukuh, Rotterdam, 2011
National History Museum
baukuh, Rotterdam, 2011
National History Museum
baukuh, Rotterdam, 2011
Crafted Narratives
Helene Solvay, AA – Architectural Association, 2012
Crafted Narratives
Helene Solvay, AA – Architectural Association, 2012