Mary Jewett Arts Center - Lobby Rendering
Paul Rudolph, Wellesley, MA, 1958
Design students in Buckminster Fuller's class design a geodesic cotton mill
North Carolina State University, 1949, Foto: Ralph MIlls
Gio Ponti and Emilio Lancia, 1930
Country Estates
MVRDV, Waddinxveen, Netherland, 1997
Copper House II
Studio Mumbai, Chondi, Maharashtra, India, 2012
Après L’amour
Madelon-Vriesendorp, 1975
Maison à Lège
Lacaton & Vassall, Cap Ferret, Frankreich, 1998
Tsukishima Masam
Casa Yagiyama
Kazuya Saito Architects, Miyagi, Japan, 2012
Urban Design for the Boompjes
Caruso St John Architects, Rotterdam, 2001
Hirsch Residence
Paul Rudolph, New York, 1966
Zink-Mine Museum Almannajuvet
Peter Zumthor, Sauda, Norway, 2003
Zink-Mine Museum Almannajuvet
Peter Zumthor, Sauda, Norway, 2003
Zink-Mine Museum Almannajuvet
Peter Zumthor, Sauda, Norway, 2003
Weekend House, extension and renovation
OFFICE Kersten Geers David Van Severen, Merchtem, BE, 2012
Weekend House, extension and renovation
OFFICE Kersten Geers David Van Severen, Merchtem, BE, 2012
Descending To Poplar Recreation Park
Mahsa Ramezanpoor, AA – Architectural Association, 2013
L'ombra della sera (ground-level elevation at the access to the São Paulo Museum of Art)
Lina Bo Bardi, Sao Paulo, 1965
Centro e Archivio della Comunicazione
Tobia Scarpa, Parma, 1969
Garten S. am Bodensee
Dieter Kienast & Fabienne Kienast, Büro Kienast Vogt Partner, 1993
AXOl
Carlotta Conte, AA – Architectural Association, 2013
Greenhouses for the Biennale di Venezia 2008
Junya Ishigami
Lorenz Adriaens, AA – Architectural Association, 2013
The release of esthetic emotion is a special function of space.
Le Corbusier
A Secular Retreat
Peter Zumthor, Chivelstone, Devon, 2011
A Secular Retreat
Peter Zumthor, Chivelstone, Devon, 2011
A Secular Retreat
Peter Zumthor, Chivelstone, Devon, 2011
From Pure Hardcore Icons
Ruz Garcia and Nathalie Frankowski, 2013
I prefer drawing to talking. Drawing is faster and leaves less room for lies.
Le Corbusier
Iglesia del Santo Espíritu
Brunelleschi, Florenz, Italien, 1434-46
Bacardi Administration Building
Mies van der Rohe, Santiago, Cuba, 1957
House A
Sanaa, Tokio, Japan, 2006
Die ungelösten Antagonismen der Realität kehren wieder in den Kunstwerken als die immanenten Probleme ihrer Form.
Theodor W. Adorno, in: Ästhetische Theorien
Cité de Refuge
OFFICE Kersten Geers David Van Severen, 2007
Cité de Refuge
OFFICE Kersten Geers David Van Severen, 2007
Cité de Refuge
OFFICE Kersten Geers David Van Severen, 2007
Christian Kerez