Brandon Whitwell-Mak, AA – Architecutral Association, 2013
Diplom
Palle Petersen, ETH Zürich, Zürich, 2012
Ivor de Wolfe and Kenneth Browne, Civilia, 1971
House A
Sanaa, Tokio, Japan, 2006
Centre for Contemporary Arts, Rome
Caruso St John Architects, Rome, 1999
Centre for Contemporary Arts, Rome
Caruso St John Architects, Rome, 1999
Section through the market
Natasha Rieffel, AA – Architectural Association, 2013
Catalog of Country Houses
Superstudio, 1968-1970
Diploma
Fung Tsui, AA – Architectural Association, 2013
Diploma
Fung Tsui, AA – Architectural Association, 2013
Entry Hall for Nursery School
Josef Frank, Austria, 1921
Generic and the Common
T. Mansikkamaki, Diploma, AA School of Architecture, 2011
Generic and the Common
T. Mansikkamaki, Diploma, AA School of Architecture, 2011
Generic and the Common
T. Mansikkamaki, Diploma, AA School of Architecture, 2011
James Turrell
Mendota Stoppages, 1969-1974
Milstein Hall
OMA, New York, 2012, Foto: Brett Beyer
Copper House II (ground floor)
Studio Mumbai, Chondi, Maharashtra, India, 2012
L'ombra della sera (ground-level elevation at the access to the São Paulo Museum of Art)
Lina Bo Bardi, Sao Paulo, 1965
U-Haus
Denis Andernach
Sauerbruch Hutton, 1996
Kawanishi Camping Cottage
Atelier Bow-Wow, Kawanishi, Nakauonuma-gun, 1999
Perry and Marty Granoff Center for the Creative Arts, Brown University
Diller Scofidio + Renfro, Rhode Island, USA, 2011
Kenneth Browne, 1957
Collage on paper
Gertrude Green, 1939
Serlachius Museum Extension, Gösta
DRDH Architects, Mänttä, Finland, 2009
Serlachius Museum Extension, Gösta
DRDH Architects, Mänttä, Finland, 2009
Diplom
Roger Lienert, ETH Zürich, Winterthur, 2011
Color sketch for Eames House storage units
Ray Eames, 1940s
Benetton Robotized Warehouse
Tobia Scarpa, Castrette di Villorba (Treviso), 1990
Shinichi Ogawa, 1993
Skizze Kunsthaus Bregenz
Peter Zumthor, Bregenz, 1997
Central Library
Aires Mateus und Alberto Souza Oliveira, Lissabon, 1999
Lina Bo Bardi (1914–1992)
This fine texture of exquisite detail leads to personal micro-readings, individual stories about data.
Italo Calvino, in: Invisible Cities
Die ungelösten Antagonismen der Realität kehren wieder in den Kunstwerken als die immanenten Probleme ihrer Form.
Theodor W. Adorno, in: Ästhetische Theorien